Senator
BYRON L. DORGAN
will discuss his new book
The Girl in
the Photograph:
The True Story of
a Native American Child,
 Lost and Found in America,
Saturday, January 18 at 2 PM, 2020

Through the story of Tamara, an abused Native American child, North Dakota Senator Byron Dorgan describes the plight of many children living on reservations—and offers hope for the future. On a winter morning in 1990, U.S. Senator Byron Dorgan of North Dakota picked up the Bismarck Tribune. On the front page, a small Native American girl gazed into the distance, shedding a tear. The headline: "Foster home children beaten—and nobody's helping." Dorgan, who had been working with American Indian tribes to secure resources, was upset. He flew to the Standing Rock Indian Reservation to meet with five-year-old Tamara who had suffered a horrible beating at a foster home. He visited with Tamara and her grandfather and they became friends; but then Tamara disappeared. He would search for her for decades until they finally found each other again. This book is her story, from childhood to the present, but it's also the story of a people and a nation. More than one in three American Indian/Alaskan Native children live in poverty. AI/AN children are disproportionately in foster care and awaiting adoption. Suicide among AI/AN youth ages 15 to 24 is 2.5 times the national rate.  As distressing a situation as it is, this is also a story of hope and resilience. Dorgan, who founded the Center for Native American Youth (CNAY) at the Aspen Institute, has worked tirelessly to bring Native youth voices to the forefront of policy discussions, engage Native youth in leadership and advocacy, and secure and share resources for Native youth.

BYRON L. DORGAN served as a U.S. congressman and senator for North Dakota for thirty years before retiring in January 2011. He was chairman of Senate Committees and Subcommittees on the issues of Energy, Aviation, Appropriations, Water Policy, and Indian Affairs. Senator Dorgan is the author of the New York Times bestseller Take This Job and Ship It. When he retired from the U.S. Senate, he created the Center for Native American Youth (CNAY) to work on teen suicide prevention, education opportunity and more for children living on Indian reservations.

"As he tells the harrowing, yet inspiring story of one young Native American girl, Senator Dorgan describes the nearly two centuries of shameful treatment of American Indians, much of which continues today."
—Senator Ben Nighthorse Campbell, Council of Chiefs, Northern Cheyenne Indian Tribe

“The Girl in the Photograph is one of the most important civil rights books written in this century. It examines, in full detail, through the life of one young woman, the horrific conditions in which many Native American children live in a country that once belonged to their ancestors. Once you recover from your shock, the author gives you an opportunity to participate in the change that will restore opportunity and justice to the precious children of our first Americans.” —Senator Heidi Heitkamp

Only Among Women examines idealized relationships between women in Russian literature and culture from the age of the classic Russian novel to socialist realism and Stalinist film. It reveals how the idea of a community of women—a social sphere ostensibly free from the taint of money, sex, or self-interest—originates in the classic Russian novel, fuels mystical notions of unity in turn-of-the-century modernism, and finally assumes a place of privilege in Stalinist culture, especially cinema. Rethinking the significance and surprising continuities of gender in Russian and Soviet culture, Eakin Moss relates this tradition to Western philosophies of community developed by thinkers from Jean-Jacques Rousseau to Jean-Luc Nancy. She shows that in the 1860s friendship among women came to figure as an organic national collectivity in works such as Tolstoy’s War and Peace and a model for revolutionary organization in Chernyshevsky’s What Is To Be Done? Only Among Women also traces how women’s community came to be connected with new religious and philosophical notions of a unity transcending the individual at the fin-de-siècle. Finally, in Stalinist propaganda of the 1930s, the notion of women’s community inherited from the Russian novel reemerged in the image of harmonious female workers serving as a patriarchal model for loyal Communist citizenship.   

Anne Eakin Moss is Assistant Professor in the Department of Comparative Thought and Literature at Johns Hopkins University. She received her PhD in Slavic Languages and Literatures from Stanford University and has held postdoctoral positions at Harvard University and Johns Hopkins.

“This book is a fascinating, mature, and thoughtful study of the ways in which women characters and women’s communities figure in the Russian imagination. It demonstrates how central women and the idea of women have been to the ways primarily male Russian writers, thinkers, and film directors have conceived of society across almost a century.” —Angela Brintlinger, author of Writing a Usable Past: Russian Literary Culture, 1917–1937.